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A
career from struck medals to anti-medals
ˇ The
approach to the medal as a medium has undergone a major change in
the past one hundred years. Today, the medal designates a wide range
of creations from the traditional struck coin through cast medals
already displaying values of plasticity to pieces made with mixed
techniques or assembled from a broadening spectrum of materials.
Few are the artists - including László Szlávics jr. - whose career
exemplifies this course of development within a mere two decades
of work, with memorable creations marking every station of this
path. Born in 1959, the artist says himself to be a medallist in
the first place. Having finished the secondary school of fine and
applied arts, he continued his studies in private under the guidance
of his father, sculptor and goldsmith László Szlávics sr., and sculptor
Agamemnon Makrisz.
ˇ The fastidious care he inherited from his father, which is especially
manifest in his treatment of materials and expertise in various
techniques, already left its imprint on his juvenile efforts, e.g.
on his embossed sheets. He learnt handling the sheet at home and
soon attained the skills of seeing the forms in the negative. Makrisz
corrected his works in the early 1980s, and it was he who called
his attention to the medal. That was when he began engraving medals
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